动物角色铅笔传统素描绘画过程视频教程

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本教程是关于动物角色铅笔传统素描绘画过程视频教程，时长：7小时13分，大小：5.1 GB，MP4高清格式，附源文件，作者：Emma Smith，共35个章节，语言：英语。

关于本课程
学习如何素描动物是绘画不可或缺的一部分。这些动物的素描从世界各地的野生动物场景到宠物肖像，在掌握并获得素描技巧之后，就可以将这些非凡的生物与自然元素结合起来。本教程为有抱负的学生提供有关如何成功素描动物的专家建议。
正确勾画动物的第一步是要好好看待它们。从某种意义上说，在绘制草图之前，学生必须研究动物的各种照片，以了解动物的身体和头部的尺寸和比例。
第二件事要依靠第一件事，就是要了解基本的比较解剖学，大多数动物，尤其是哺乳动物，只有大小不同的相同“碎片”（人类也是如此）。属于同一群体或家族的动物通常具有相同的总体身体部位，但是这些部位的伸展程度和厚度不同。例如，马和熊的身体都由三个主要部分组成：前部，中部和末端，但是在这两种动物中，这些部分的尺寸非常不同，因此需要进行大量观察。
而且，在学习和看动物的身体时，诸如动物头的形状，身体形状，尾巴长度，腿和脖子的大小等物理特征是已知的。
第三点是，当您仔细观察动物时，您将完全理解可以在纸上画出哪种动物的几何形状。此时，您需要简化表格。使用这种方法，您可以轻松地了解如何绘制马，狗，熊和其他动物。
我将通过一个简单的示例告诉您这种解释，假设您想绘制像狗一样的动物的鼻子，您应该知道可以用三角形的几何形状绘制这种器官。或身体的不同部位可以用圆形或椭圆形表示。
动物画中的第四点是将身体分成多个部分。大多数牲畜可分为六个主要区域：1头，2脖子，3前腿和肩膀，4-身体中部，5-后腿和臀部以及6-尾巴。这听起来像是一个简单的观察，但是以这种方式破坏动物后，您可以从任何方向在空间上重叠这些区域。
第五点是根据上述要点并没有细节来创建主要草图。让您的手腾出来，使用简单的线条和几何形状在动物的主要草图上绘制。在接下来的步骤中，将细节添加到草图，并校正曲线和细节。
第六点是，当图像中有多个对象时，请使用空间中的形状重叠来创建深度，观察该点可有效地创建对象的距离和邻近度。正确的形状重叠将使您的绘画具有可信度和生活感。
第七点是要注意光和影，正确使用图像中的光和影有助于增强效果感。

About This Class
Learning how to sketch animals is an integral part of painting. The sketch the animals ranges from wildlife scenes around the world to portraits of pets, which after mastering and gaining skills in their sketching, it is possible to combine these extraordinary creatures with elements of nature. This tutorial provides expert advices on how to successfully sketch animals for an aspiring student.
The first point in the correct sketching of animals is to look at them well. In the sense that before drawing the sketch, the student must study the various photographs of the animal to know the dimensions and proportions of the animal's body and head.
The second thing that depends on the first is to understand the basic comparative anatomy, most animals, especially mammals, have the same "pieces" only of different sizes (this is also true for humans). Animals that belong to the same group or family usually have the same general body divisions, but the stretch and thickness of these divisions are different. For example, the body of a horse and a bear are both composed of three main parts: front, middle and end, but the dimensions of these parts are very different in these two animals, and therefore a lot of eye training is needed.
Also, physical characteristics such as the shape of the animal's head, body shape, tail length, size of legs and neck, etc. are known in studying and seeing the animal's body well.
The third point is that when you look closely at the animals, you will fully understand with which geometric shape each animal can be drawn on paper. At this point, you need to make the forms simpler. With this method, you can easily understand how to draw animals such as horses, dogs, bears and others.
I will tell you this explanation with a simple example, suppose you want to draw the snout of an animal like a dog, you should know that such an organ can be drawn with the geometric shape of a triangle. Or different parts of the body can be represented by a circle or an oval.
The fourth point in animal painting is to divide the body into parts. Most of the livestocks can be divided into six main areas: 1- head, 2- neck, 3- front legs and shoulders, 4- middle part of the body, 5- back legs and buttocks and 6- tail. This may sound like a simple observation, but once you break the animal in this way, you can overlap those areas in space from any direction.
The fifth point is to create a primary sketch somewhat according to the above points and without details. Let your hand go free and use simple lines and geometric shapes to draw on the animal's primary sketch. In the next steps, add details to the sketch and correct the curves and details.
The sixth point is that when you have several subjects in the image, use the overlap of shapes in space to create depth, observing this point is effective in creating distance and proximity of subjects. Proper overlap of shapes will give your paintings a sense of believability and life.
The seventh point is to be careful of light and shadow, the correct use of light and shades in your image can help strengthen the sense of effect.

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